Pudding wasn't offline—we were just busy building. And looking at everything we've accomplished, the new website finally reflects that.

Over the past two years we've launched four in-house products, built several internal tools, delivered two client projects, and relocated our entire studio to Canada.

Damn, that's a lot.

Behind the scenes, this update is much more than a visual refresh. After years of building and hosting our portfolio on Webflow, we've completely rebuilt it from scratch using Astro, alongside a custom backend and CMS designed specifically for the way we work. Managing future updates, case studies, and new projects is now faster, cleaner, and entirely in our own hands.

See you around.

After months of work, our first fully in-house product is ready for its test flight. It's a platform we designed and built from scratch — every screen, every interaction, every line of code — and it's become our favourite way to show what Pudding can do end-to-end. We're genuinely excited about this one and we hope you'll be too.

I found my Lumia. I used to have a couple of models: the Lumia 900 in 2012 and the 640 XL in 2015. Even though my daily driver was always an iPhone, Windows Mobile felt so good and ahead of its time.

For the purposes of a personal project, we created a custom icon set (shown above). It's no secret that here at Pudding Studio, we're big fans of the Sketch app — and these little icons were made right there in it. We shared them on X and decided to include the hashtag #MadeWithSketch as a way to show some love and appreciation for our favorite design tool. That hashtag definitely sparked an interesting conversation.

At Pudding, we really miss the classic Adobe icons, so we "remastered" Photoshop's iconic one to see it again (here in our studio) on our docks. Do you think we should continue this with other apps from the Creative Suite?

Playing games from the 80s and 90s is easily achievable these days, thanks to official game ports to modern systems, virtual consoles, emulators, and various other methods. However, these games were not originally designed for modern screens, aspect ratios, refresh rates, and input latencies. To recapture the magic of weekend mornings from the 90s, we've created what we internally call a 4:3 stack. At the heart of the system are the MiSTer FPGA and a Sony Trinitron CRT, connected with SCART 🙌 🇪🇺 🙌 RGBs to enjoy those classic fat and bold scanlines.

Wow! This morning, we got notified that the Webflow team mentioned us on their Instagram profile. At first, we were a little confused, but then we realized that they featured our portfolio across all their social channels! Webflow is one of our studio's most loved and crucial tools, so this recognition means a lot to us. No words to express how thankful we are!

The kitchen section of our website is a great place to show projects like this one. TextNow reached out to us with the idea of helping them brand their People and Culture team under the name Allhands. The project was divided into three parts. The first was the visual identity, with a focus on the logo (other brand elements, such as color and typography, were taken from TextNow's master brand). The second was the development of the mascot, and the third was the implementation of everything for the Allhands Mexico offsite event.

"Twelve days of deals" is just one out of many campaigns done at TextNow. However, being a Holiday one, it is one of our favourites. At the same time, it was an opportunity to "play" in cinema4d and create New Year campaign assets.

MiSTer FPGA is an opensource project that aims to preserve old consoles, arcades and personal computers: from the Super Nintendo to the Amiga and all the way to Yugoslavia's first computer Galaxy. Since there is a retro corner in our studio where this wonderful device is located (along with many other retro consoles and crts), we wanted to enhance it with prints of the illustrations we made.